Seen and Unseen – an exhibition

SEEN AND UNSEEN

Curated by Sara Foryame, Co-curated by Amy Dean

 

The show features work from nine female artists of colour, based both in the UK and internationally, exploring thoughts, ideas and experiences on the theme of representation. Through mixed media, photography, film and installation, this show brings together a diverse breadth of artists from various backgrounds; engaging in dialogue on how they have been represented and how they would like to be represented.

 

Online catalogue: https://issuu.com/reconnectingarts/docs/representation_catalogue_issu

 

More about the exhibition: http://www.recpnnectingarts.com/seenandunseen

The Project:

My work poses questions, to myself and to viewers, posing questions about identity politics and the idea of home and displacement.

The constant travels and the various identities I have lived, have led to artificial memories. Where is home? And who am I? Questions many of us often ask ourselves at some point in our life, or even, questions asked by other people, strangers finding ways to define us into roles we may not necessarily fit. I am the product of the collision between the many cultures that exist in my family and how does a piece of paper, a document define who I am? Should it define anyone? The project explores the personal journey of travel and identity by using collage of passport papers to mask the identity of myself and family members.

The video that accompanies this project, continues the exploration of the identity of a visible Muslim woman. In the current political climate, we are all very familiar with this topic within the media from the burkini ban to islamophobia on a rise often targeting visible Muslim women. The video brings together sourced sound clips from various media outlets discussing, debating and condemning the scarf around the world.  A scarf on one’s neck or handbag has never caused so much controversy than the scarf on one’s head. The project explores how the media sculpts, prods and squeezes the depiction of Muslim women and their scarf that means so many different things to each individual. I remove the woman from the image, making no room for assumptions, and ask the viewer what does the scarf mean now?

15 second video link: https://vimeo.com/93301398

(Full Video was most recently shown in Los Angeles at the Wayside Gallery)

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2nd Year exhibitions week 2017

ph2004_2017_exhibitionsph2004_2017_exhibitions_6ph2004_2017_exhibitions_3ph2004_2017_exhibitions_4ph2004_2017_exhibitions_5ph2004_2017_exhibitions_8ph2004_2017_exhibitions_2ph2004_2017_exhibitions_7This week our second year students have held exhibitions in Preston and Liverpool presenting their final work for the year, the students have worked independently in collectives to curate 4 shows with different themes connecting the work.

‘Shoot people not places’, ‘The diversity of elegance’, ‘Is this England?’ and ‘The Black and White Mind’

Well done to all second years for creating some fantastic work and doing an excellent job arranging and promoting your shows its been a pleasure viewing the work.

Photouclan – Open days

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Another sucessful open day at Photouclan on Saturday providing course information guided tours and studio activities for potential students to partake in, if you would like to come and see what we do at Photouclan and all our great facilities please keep checking the website for upcoming open days and applicant days.

Brian J Morrison Resist, Resist, Release.

Photo UCLAN lecturer and MA Course Leader, Brian J Morrison is producing a new exhibition in collaboration with Artist Emily Warner and contemporary art critic Jonathan P Watts as part of four week public art program, DOMINO in Norwich.

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DOMINO is proposed as the first of a sequence of SAVORR led programmes that will launch a self-supporting network with other regional art scenes. Here, two artists from Birmingham, Brian J Morrison and Emily Warner, have been invited to create new work for the first floor of The Shoe Factory. Working in dialogue with contemporary art critic Jonathan P. Watts, the progression of the invited artists’ ideas will be documented and such material will be on display for visitor insight and discussion.

Resist, resist release, will see Brian and Emily work collaboratively to produce works informed by crossovers in their practice. Both Artists are interested in the body and its relationship to art and will develop a response to each other and the exhibition space.

As part of the exhibition Brian and Emily will be acting as judges for a film/moving image open call. To submit to this please follow the link below.

https://www.savorr.co.uk/open-film/

More information and documentation of the project will be updated on the SAVORR webspace during the production week.