Last week as part of the ‘Great Northern Creative Festival’ Photo UCLAN held our annual fieldwork photography Symposium, this year focussing on Documentary Photography.
We had a fantastic line up of speakers giving their perspectives on the vast and changing landscape of documentary concerns and practices, practitioners; Sirkka-Liisa Konttinen, Al Baker, Christopher Bethell, Evelina Simkute, John Darwell, Daniel Tierney, presenting their projects and methodologies as well as, contemporary theoretical debates and discussions from Thomas Dukes curator of the Open Eye gallery and photographer / author David Bate.
Thank you from everyone at Photo Uclan to all our speakers for your sharing your projects, passions and perspectives with us it was a fascinating, insightful day.
Images by Kenny Brown
Preston, 9th November 2016
Hosted by the Photography Research Group, the Fieldwork Photography Symposium explored a range of discourses exploring the ‘Urban Image’. The day was chaired by John van Aitken, MA Course Leader and Academic Lead for the school of Journalism, Media and Performance.
Speakers on the day included:
Theo Simpson – An Exploration of How the North of England Can Be Conceived and Encoded
Valentina Anzoise – Fringescapes: Hangzhou Future Sci-Tech City
Followed by and Q &A with J Purcell (UClan Photography Research Group)
Glass Ball Collective – David Ball and Cora Ball talked about their work at Skelmersdale New Town.
Laetitia Vancon – Photography and Gentrification
Followed by and Q&A with Brian J Morrison (UClan Photography Research Group)
Kevin Crooks – UClan Alumni and DBACE winner 2016
Eugenie Shingle – Gabriele Basilico and the New Topographics aesthetic
Jerome Krase – “Seeing the Image of the City Change, Again”
Q&A: Led by Erik Knudsen (Professor of Media Practice UCLan) & Gary Bratchford (UCLan Photography Research Group) with closing statements from John van Aitken
Other events during the symposium were a Pop-up Portrait studio using a 10×8 negatives facilitated with Adam Mead in collaboration with BA students from years 1-3
To celebrate the launch of our second edition of NORTH, a publication of undergraduate, postgraduate and staff projects along side commissioned pieces of writing and interviews, we are making the first edition available for free download.
The first edition of North was an attempt to challenge the traditional degree show model, giving students the opportunity to be featured in a publication with distribution across the UK and Europe.
The success of this new model, has inspired a new edition of the publication which will be launched on Wednesday 9th at the Fieldwork Conference. To receive your free copy of Volume one simply click here and follow the download request information.
We hope you enjoy these two editions of PhotoUCLan’s best and brightest visual practitioners.
Tabitha Jussa is another of our exhibitors at this years Fieldwork Photography Symposium on November 9th. Her work will also be shown at the University’s PR1 Gallery alongside a range of other practitioners during the symposium. She has spoken with Fieldnotes about her photographic development and the project she will be exhibiting.
20K City – Tabitha Jussa
This work is an on going exploration into the state of housing and the redevelopment of areas within cities worldwide. The audience are asked to consider the fate of our environment, of our culture, the importance of retaining physical links with the past through the built environment and the implications of the removal of the known landscape.
Throughout my practice, the work continues to encompass themes of duration, succession, change and time, taking the medium of photography beyond its immediate boundaries, to create a new metaimage – a moment in time stretched beyond the real.
Each photograph consists of between 10-50 individual negative images, composited together digitally to create a newly constructed view of each place. The photographs are large scale, encouraging the viewer to macro and microscopically read each picture, a nod to the tradition of the painted tableau.
Eldon Grove – Tabitha Jussa
Kevin Crooks is an exhibitor at this years Fieldwork Photography Symposium on November 9th. His work will be shown at the University’s PR1 Gallery as alongside a range of other practitioners during the symposium. He has come back to UCLan to talk about his photographic development and the project he will be exhibiting.
Kevin Crooks (2016)
KC – I am a St. Helens based photographer who has recently won the Deutsche Bank Award for Creative Enterprise after completing an MA in Photography at the University of Central Lancashire. The award will provide funding and support to produce ‘M62: The Trans-Pennine Motorway’, a social documentary project which will explore the effects of how the Northern Powerhouse initiatives, and other government policies and programmes shape the lives of people within society, but more specifically those individuals and communities that are intrinsically linked to the motorway. The project will be produced between 2016-17, and will culminate in the production and a publication, this will be accompanied by the site specific presentations at relevant locations.
Kevin Crooks (2016)
UCLan’s PR1 Gallery will host a photographic exhibition on the theme of ‘the urban image’ this November to accompany the Fieldwork Photography Symposium on November 9th.
The exhibition so far has work by Tabitha Jussa, the arts collective Glass Ball, Deutsche Bank award winner Kevin Crooks and the members of UCLan’s Photography Research Group as well as many more.
Currently there is an open call for photographic submissions which will end September 30th. If you’re interested in having your work displayed in the show please e-mail JPurcell@uclan.ac.uk or JAitken@uclan.ac.uk with a selection of images.
Submissions should be in a j-peg format with the longest edge no longer than 2000 pixels. Please include a brief synopsis of the work. Note all work must have been shot in 2016.